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Richard von Busack of Mr. Movietimes and Metroactive.com writes:
Even Brendan Fraser’s good humor seems to be wearing out. Fraser is a seriously gifted physical comedian. The success of three popular but terrible "Mummy" movies is partially due to Fraser being the only living thing in a CGI landscape. In his new film, Fraser does his thing, looking alert, hitting his marks and climbing a tile rooftop. But "Inkheart" has little heart; it squanders Fraser and a fine group of character actors in a very promising fantasy plot.
Fraser plays Mo, an expatriate bookbinder living in Italy. He is a “silvertongue,†with the ability to call fictional characters out of a book by reading aloud. Unfortunately, this gift is a curse: some human in our world must take the place of the materialized fictional character. When Mo once read a children’s book called Inkheart to his child, his wife (Sienna Guillory) vanished into the book, and he and his daughter were left behind. Unfortunately, the book’s villain, Capricorn (Andy Sirkis, a.k.a. Gollum), has escaped and is setting up a cryptofascist assault on our world. Mo’s most reliable help is the rogue character from the book "Inkheart," Ashfinger (Paul Bettany).
The locations in the Italian alps are a plus, and Jennifer Connelly appears in a couple of highly decorative scenes, made up as a Renaissance princess. In a milieu that could have used some poetry, director Iain Softley tenderizes the material with bumbling silly henchmen and a crazy aunty character (Helen Mirren). The scenes bustle like a Christmas pantomime, with lots of wasted motion.
The most depressing thing about the film is watching the look on Fraser’s face when you’re supposed to be watching the unicorn. The strain of these technical movies is beginning to show on him. I’m hoping he can get out of this green-screen routine: I think there’s an Errol Flynn or a Burt Lancaster in him. I think he could be a bastard and make the audience like it.